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Just decided I needed to assist a working photographer and Robin was nearby in Waterford. I met Robin when I was a young photography student at the Rhode Island School of Photography and living in New London, CT. Not sure why, but Robin Perry popped into my mind last evening. He was definitely one of the favorite people in my life.

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Please feel free to check in if you like & we can chat about him in more detail. Just wanted to let you know that there was someone else out there who knew Robin & whose print career was really statted by Robin. When I saw all the documentation that you collected, I felt I needed to check in with some personal info that would not be found in the mainstream. He also took my first headshot which turned out to be a 30+ year print modelling career. I should explain that I had known Robin since I was very little as he & my father were close friends & had actually shot my parents wedding album.

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It also gave him some ideas on how to utilize this new device in his field work. This adaptor would allow instant 8 x 10 headshots to be available instantly but in a 8 x 10 format, & I was lucky enough to be his model for that process.

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He proceeded to install a newly received adaptor from Polaroid, to aid photographers in the shooting of headshots. He had me up to his studio many times, & one day I stopped by, just to say hi, when he asked me to sit on a stool in front of a camera. When I graduated from college in 1976, I returned to New London, CT where I bumped into, & re-established my friendship with Robin. Late one night, last week, I happened to look at one of my pictures which was shot by none other than Robin Perry, who just happened to be a friend of the family, but also my first headshot photographer in 1977. It will be good to hear his voice again…! I’ll try to work on these as time permits.Īlso have a few recorded telephone conversations – sitting on cassettes. There are dozens of printed material waiting to be copied and 30+ slides to be scanned. I still have to transfer about 18 comments. The bulk of the above material was copied from my previous website design. Then on page 8, in the top left corner – the following is shown:Īpproximately 8,000 prints, negatives, and On page 7, there’s a heading labelled “ Photograph Collection”. › The following was once found in this document → Note as of Jan-2017 > the website is now called Īnd their Annual Reports go back 10 years – now starting at 2007. To contribute, contact General Manager John Bloom at (202) 662-7534. Perry’s bequest is an exciting start for the Centennial fund, said Club Treasurer Donna Leinwand. Perry, who died in June 2005, in Indialantic, Fla., belonged to the Club from January 1977 to March 1995. The Board voted last month to use the money to create a new fund to finance the celebration of the Club’s upcoming centennial. The late Robin Livingston Perry, a commercial photographer and prolific author, has bequeathed $20,158 to the Club. › The following was found in this document, on page 3 → National_Press_Club,Vol56,No28.pdf › Robin Perry wrote an article about ‘Cameras’ in the NY Times → Arts section, published March 8th 1981. › A few comments were posted in a → thread. › Marco wrote a memorium at his website → Marco Zecchin Photographic Art. Published by Perry Studios of Waterford Ct I found this story by searching at Google News Archive. When the flats become large enough to cause distortion the tip my not be doing any meaningful damage.› Here’s an article from The Day newspaper, dated Mar-31-1975. a new tip to compare against will be of help here. This takes skill and experience to have any meaningful optical determination. The square area (per Shure) may not apply with advanced tip shapes. an ML or MR will show much the same reflections until the ridges are worn down enough to contact the shoulder cuts or bottom out in the groove at the tip. all needles would shred your records if this was not the case with any minor wear.Ī true elliptical should last longer than a bi-radial or conical in this respect. The wear is predominately flat but there is a radius adjacent to the flats. Move the light source around to determine the flats from the radius. a point source lighting source (fibre optic) will be of immense aid here.

If you flood the lighting with a diffuse source the curved areas will light up and skew your readings. I still have trouble determining stylus wear with this setup. This will get me to 280x optical with a 2x Barlow lens and 20x eyepieces. I've had a nice stereo microscope for about ten years, a Bausch and Lomb Stereozoom seven.

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